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| re: re: re: Resemblance to...This might sound odd, but do you have a specified convention for what you do with a speech bubble when it intersects with the edge of a panel, or does it vary on a case by case basis? I’ve noticed your usual M.O. seems to be to just erase the line where the border would normally be, which I think looks really neat and clean, but I’ve been noticing lately (now that I’ve started looking for it) that it oscillates sometimes. Do you do this intentionally to help communicate specific ideas, like how cramped and annoyed Pinter is as a result of Angora’s bombardment of questions at the top of 4.
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| re: re: re: Resemblance to...This might sound odd, but do you have a specified convention for what you do with a speech bubble when it intersects with the edge of a panel, or does it vary on a case by case basis? I’ve noticed your usual M.O. seems to be to just erase the line where the border would normally be, which I think looks really neat and clean, but I’ve been noticing lately (now that I’ve started looking for it) that it oscillates sometimes. Do you do this intentionally to help communicate specific ideas, like how cramped and annoyed Pinter is as a result of Angora’s bombardment of questions at the top of 4.
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| re: re: re: Resemblance to...This might sound odd, but do you have a specified convention for what you do with a speech bubble when it intersects with the edge of a panel, or does it vary on a case by case basis? I’ve noticed your usual M.O. seems to be to just erase the line where the border would normally be, which I think looks really neat and clean, but I’ve been noticing lately (now that I’ve started looking for it) that it oscillates sometimes. Do you do this intentionally to help communicate specific ideas, like how cramped and annoyed Pinter is as a result of Angora’s bombardment of questions at the top of 4.
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| re: re: re: Resemblance to...This might sound odd, but do you have a specified convention for what you do with a speech bubble when it intersects with the edge of a panel, or does it vary on a case by case basis? I’ve noticed your usual M.O. seems to be to just erase the line where the border would normally be, which I think looks really neat and clean, but I’ve been noticing lately (now that I’ve started looking for it) that it oscillates sometimes. Do you do this intentionally to help communicate specific ideas, like how cramped and annoyed Pinter is as a result of Angora’s bombardment of questions at the top of 4.
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| re: re: re: Resemblance to...This might sound odd, but do you have a specified convention for what you do with a speech bubble when it intersects with the edge of a panel, or does it vary on a case by case basis? I’ve noticed your usual M.O. seems to be to just erase the line where the border would normally be, which I think looks really neat and clean, but I’ve been noticing lately (now that I’ve started looking for it) that it oscillates sometimes. Do you do this intentionally to help communicate specific ideas, like how cramped and annoyed Pinter is as a result of Angora’s bombardment of questions at the top of 4.
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| re: re: re: Resemblance to...This might sound odd, but do you have a specified convention for what you do with a speech bubble when it intersects with the edge of a panel, or does it vary on a case by case basis? I’ve noticed your usual M.O. seems to be to just erase the line where the border would normally be, which I think looks really neat and clean, but I’ve been noticing lately (now that I’ve started looking for it) that it oscillates sometimes. Do you do this intentionally to help communicate specific ideas, like how cramped and annoyed Pinter is as a result of Angora’s bombardment of questions at the top of 4.
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| re: re: re: Resemblance to...This might sound odd, but do you have a specified convention for what you do with a speech bubble when it intersects with the edge of a panel, or does it vary on a case by case basis? I’ve noticed your usual M.O. seems to be to just erase the line where the border would normally be, which I think looks really neat and clean, but I’ve been noticing lately (now that I’ve started looking for it) that it oscillates sometimes. Do you do this intentionally to help communicate specific ideas, like how cramped and annoyed Pinter is as a result of Angora’s bombardment of questions at the top of 4.
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| re: re: re: Resemblance to...This might sound odd, but do you have a specified convention for what you do with a speech bubble when it intersects with the edge of a panel, or does it vary on a case by case basis? I’ve noticed your usual M.O. seems to be to just erase the line where the border would normally be, which I think looks really neat and clean, but I’ve been noticing lately (now that I’ve started looking for it) that it oscillates sometimes. Do you do this intentionally to help communicate specific ideas, like how cramped and annoyed Pinter is as a result of Angora’s bombardment of questions at the top of 4.
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| re: re: re: Resemblance to...This might sound odd, but do you have a specified convention for what you do with a speech bubble when it intersects with the edge of a panel, or does it vary on a case by case basis? I’ve noticed your usual M.O. seems to be to just erase the line where the border would normally be, which I think looks really neat and clean, but I’ve been noticing lately (now that I’ve started looking for it) that it oscillates sometimes. Do you do this intentionally to help communicate specific ideas, like how cramped and annoyed Pinter is as a result of Angora’s bombardment of questions at the top of 4.
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| re: re: re: Resemblance to...This might sound odd, but do you have a specified convention for what you do with a speech bubble when it intersects with the edge of a panel, or does it vary on a case by case basis? I’ve noticed your usual M.O. seems to be to just erase the line where the border would normally be, which I think looks really neat and clean, but I’ve been noticing lately (now that I’ve started looking for it) that it oscillates sometimes. Do you do this intentionally to help communicate specific ideas, like how cramped and annoyed Pinter is as a result of Angora’s bombardment of questions at the top of 4.
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| beatle maniacI've always felt that "Tell Me Why" would have been incedible song if The Beatles had performed it live, and spent years looking for some obscure bootleg which I hoped existed. Well obviously at this point I've given up on that, but do want to point out that the version of this song used in the movie indeed appears to have elements which are live besideds the audience. I say that because one day when watching the film I noticed that the opening lines of Johns solo vocal ("well I gave her everything I had") had an openess and separation which suggested that he was actually sing onstage but yes that everything else was mimed or canned from the album.
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| re: Titanicologist, Beatlelologist, Dennis Brainiac- Extra sleazy.I wanted to say that I love the caveat in your last paragraph. We’re not all sold on the sleazy! In fact, as I stated above, I really think that celebrity endorsements are not valid anymore. Especially with [my] generation. I feel like for a Millenial, who has access to social media including sites like Yelp: we are wary of a sales pitch, but we trust others. Part of this is the appeal of “being like everyone else” and without going into a debate on the psychology behind that, let’s just mention that it’s here to stay.
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| "A Taste Of Honey""A Taste Of Honey" by The Beatles. The in-depth story behind the songs of The Beatles. Recording History. Songwriting History. Song Structure and Style. American Releases.
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| re: re: Buddy HollyWell I have to say my favorite mmonet in Feb, would be the fact that i can now craft for a longer period(2-4 hours) of time after having 2 ankle surgeries, and being laid up in bed for over 4 months with an open wound . Where as before i would last for about 5 mins at a time, due to having to keep my ankle and wound up 24/7! Looks like things are getting much better, now just waiting for the day i can walk , and go back into my AWESOME craft room that ive missed out on using since OCT 7th 2011, i currently am crafting in my daughters room that is right next to my room .
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| re: re: Resemblance to...A: Wrist suppleness (have a brekon wrist still too, not helping w/ HSPU)B: Double Unders, I can't keep tying DU's together because I end up tossing in a couple triples and then my timing gets all screwy. I can only tie about 15 together without messing up Need more! I work on these for 10-mins every other day. Which has exposed C C: Too right leg dominant. After double-under skill sessions my right calve gets super tight and sore and no amount of foam rolling/PVC rolling can get that baby to loosen up.
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| "While My Guitar Gently Weeps""While My Guitar Gently Weeps" song by The Beatles. The in-depth story behind the songs of The Beatles. Songwriting History. Recording History. American Releases. Live Performances.
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| re: best song ever writtenI actually watend to post a simple comment so as to appreciate you for the fabulous guides you are sharing on this site. My long internet investigation has at the end been paid with useful facts and techniques to exchange with my friends. I d mention that we website visitors actually are unequivocally endowed to be in a fantastic network with very many marvellous people with great tactics. I feel very much fortunate to have discovered your entire weblog and look forward to plenty of more excellent minutes reading here.
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| "Maxwell's Silver Hammer""Maxwell's Silver Hammer" song by The Beatles. The in-depth history of the songs of The Beatles. Songwriting History. Recording History. Song Structure and Style. American Releases.
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| "Words Of Love""Words Of Love" by The Beatles. The in-depth story behind the songs of The Beatles. Recording History. Songwriting History. Song Structure and Style. American Releases.
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| re: CharlezI absolutely adore this comic.Yes, the lulls in between are long, but I for one have no issues with them. The spaces between pages makes them seem almost like a gift, like something special that should be savored, and that’s what this comic is.I studied the way you color and line your pages, as well as how you use facial expressions, and I have to say, it’s helped me a great deal in my own artwork. The almost casual grace some of the characters seem to have is amazing, and how you translate each personality through their body language is just astounding.
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